WordPlay™ Shakespeare

Now, Half the Page is a Stage...

Hail Caesar! (Part II)

JC at Bridge
Another very favorable review by Rebecca Mead at The New Yorker of Nicholas Hytner's production in London of Julius Caesar, and an interesting discussion about staging — in particular the use of audience members as part of the crowd

Hail Caesar!

JC at the NT
Another production of Julius Caesar, reflecting our growing preoccupation with demagoguery and the virtues and perils of republics and democracies gone awry. Ben Whishaw, Michelle Fairley, David Calder, and David Morrisey all put in excellent performances, according to Guardian critic Michael Billington. The play is at the Bridge Theatre, an the set design has audience members be part of the mob.

William Shakespeare as Quentin Tarantino...


Titus Andronicus
Three reviews of the RSC's current season at the Barbican TheaterTitus Andronicus, Antony and Cleopatra, and Julius Caesar. Of the three, Titus comes off best, with some interesting analysis by reviewer Matt Wolf, in particular the idea that Titus Andronicus in some ways was Shakespeare's preparation for King Lear — particularly in terms of the channeling of extreme violence and the resulting pathos. An interesting take.

Shakespeare in the News, Sort Of...

Et Tu, Banon?