WordPlay™ Shakespeare

Now, Half the Page is a Stage...

The Film of The Play

Julus Caesar
Well-reviewed in London, we were able to at last see the National Theatre's Julius Caesar performance beamed from London to a movie theater in Manhattan. As a quick comment on the experience — and not to offend ardent theatergoers — a friend of the blog commented that the advantage of watching a "live" play on a screen in a movie theater seems similar to the advantage of seeing a sports game on TV - multiple camera angles, perfect sound, and a greater sense that one is seeing absolutely everything to advantage. The long and the short of it is that watching Julius Caesar via The National Theatre Live program provided an excellent experience, and we recommend it to anyone who might be curious.

All Those in Favor, Say "Ides"

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It's that day of the year again, the dreaded (for Roman dictators at least)
Ides of March. Professor James Shapiro of Columbia University takes the opportunity to discuss Shakespeare's importance not just to America, but to New York City itself. And there are some great little stories in there.

Hail Caesar! (Part II)

JC at Bridge
Another very favorable review by Rebecca Mead at The New Yorker of Nicholas Hytner's production in London of Julius Caesar, and an interesting discussion about staging — in particular the use of audience members as part of the crowd

Hail Caesar!

JC at the NT
Another production of Julius Caesar, reflecting our growing preoccupation with demagoguery and the virtues and perils of republics and democracies gone awry. Ben Whishaw, Michelle Fairley, David Calder, and David Morrisey all put in excellent performances, according to Guardian critic Michael Billington. The play is at the Bridge Theatre, an the set design has audience members be part of the mob.

William Shakespeare as Quentin Tarantino...


Titus Andronicus
Three reviews of the RSC's current season at the Barbican TheaterTitus Andronicus, Antony and Cleopatra, and Julius Caesar. Of the three, Titus comes off best, with some interesting analysis by reviewer Matt Wolf, in particular the idea that Titus Andronicus in some ways was Shakespeare's preparation for King Lear — particularly in terms of the channeling of extreme violence and the resulting pathos. An interesting take.

Shakespeare in the News, Sort Of...

Et Tu, Banon?