Shakespeare did not write in a vacuum, and scholars today confirm that he was heavily influenced by Holinshed's Chronicles, and Plutarch's Lives (properly titled Lives of the Noble Greeks and Romans.)
Now, an amateur and deeply capable scholar — Dennis McCarthy — has, in collaboration with Professor June Schlueter, ferreted out what is likely to prove a powerful third influence on Shakespeare, the writing of one of Queen Elizabeth I's ambassadors to Sweden, George North. An obscure diplomat until now (his Wikipedia entry starts onFebruary 8, 2018 — 4 days ago!) he had an elegant turn of phrase that clearly caught Shakespeare's attention and imagination. The book that sparked Shakespeare's — and now our — interest, was A Brief Discourse of Rebellion & Rebels. Read the New York Times article here.
David and Ben Crystal provide a genuine service to Shakespeare lovers (and doubters too, really) by hypothesizing on what Shakespeare's language might have sounded like in its original pronunciation. In addition to being intrinsically interesting, it has an impact on performance, if actors and directors wish to provide an "original" production to their audience. Very worthwhile video clip.
Geneva's Bodmer Lab has made available to the public a full high resolution digital copy of a 1623 First Folio. Pictured above is a part of the dedication of the volume by Heminges and Condell to their patrons, William, Earl of Pembroke, and his brother Philip, Earl of Montgomery. A tremendous asset to scholars, teachers, and students, but note, the text of the web site is in French.
The original document used to announce King James I's granting of a royal warrant to Shakespeare's acting troupe, changing their name from The Lord Chamberlain's Men to The King's Men, and permitting them to perform "Comedies, Tragedies, Histories, Enterludes, Moralles, Pastoralles, Stageplayes". Read and see high quality digital scans of the warrant.
The discussion about trigger warnings lapped on to Cambridge's shores late last year, with the news that English literature students at Cambridge received trigger warnings about sexual violence and assault in regards to Titus Andronicus and Comedy of Errors. Professor Mary Beard and Cambridge Shakespeare Festival Artistic Director David Crilly reacted strongly against the move.
IUPUI professor Terri Bourus teaches Shakespeare classes. She was one of four general editors of “The New Oxford Shakespeare.” (IBJ photo/Eric Learned)
Troubles assail the inner working of the production of the New Oxford Shakespeare project.
The BBC have put up what looks like a fantastic Shakespeare resource, but unfortunately, they have made it accessible only to students in the UK. That's a shame.
Isaac Butler, compares Lin-Manuel Miranda's Hamilton, with Shakespeare's Henry IV, part 1 -- (proper title: 1 Henry IV) in this complex but well reasoned piece for Slate. More.