The discussion about trigger warnings lapped on to Cambridge's shores late last year, with the news that English literature students at Cambridge received trigger warnings about sexual violence and assault in regards to Titus Andronicus and Comedy of Errors. Professor Mary Beard and Cambridge Shakespeare Festival Artistic Director David Crilly reacted strongly against the move.
Three reviews of the RSC's current season at the Barbican Theater — Titus Andronicus, Antony and Cleopatra, and Julius Caesar. Of the three, Titus comes off best, with some interesting analysis by reviewer Matt Wolf, in particular the idea that Titus Andronicus in some ways was Shakespeare's preparation for King Lear — particularly in terms of the channeling of extreme violence and the resulting pathos. An interesting take.