Tom McCall, left, and Stefan Adegbola in Royal Shakespeare Company’s “Titus Andronicus.” “Pretty much every night there’s somebody who faints or is sick,” said Becky Loftus, the R.S.C.’s head of audience insight. “We want to see how the audience reacts physically to the production.” Credit Helen Maybanks/RSC
Does watching a production live, versus on a movie screen, engender a different physiological reaction? The RSC intends to find out. More.
(Simón Prades for The Washington Post/For The Washington Post)
A good (if not slightly harsh) review of modern perspectives on Shakespeare. Are we too timid with our productions? Is "relevance" overblown"? More.
Stephan Wolfert rehearsing his one-man show, “Cry Havoc!”
SARA KRULWICH / THE NEW YORK TIMES
A closer look at how Shakespeare makes sense of war, to veterans and those who have lost friends in war.
A very positive review of a play that resonates in today's political environment. More.
IUPUI professor Terri Bourus teaches Shakespeare classes. She was one of four general editors of “The New Oxford Shakespeare.” (IBJ photo/Eric Learned)
Troubles assail the inner working of the production of the New Oxford Shakespeare project.
It looks as if TNT will be releasing a "biopic" of young William Shakespeare. One hesitates to think what they will do with history…
The BBC have put up what looks like a fantastic Shakespeare resource, but unfortunately, they have made it accessible only to students in the UK. That's a shame.
A seasoned (and quite amusing) Pittsburgh theater critic, Ted Hoover, cannot abide Shakespeare and his works. Among his pithier quotes on Studio 360: “If you had a lick of intelligence in your head , this play [Romeo and Juliet] wouldn’t happen. It only happens if you’re stupid.” Possibly... More. Oh, and NPR's Ira Glass also dislikes the bard…
Michael Dorn (Worf in Star trek) is set to play Marc Antony.
A production photo of the Royal Shakespeare Company’s collaboration with Intel on “The Tempest.”
PHOTOGRAPH BY TOPHER MCGRILLIS / R.S.C.
Daniel Pollack-Pelzner reviews the RSC's production of the Tempest, and examines the limits of real-time computer effects blended with a live performance.
Starting next year, The RSC will display political cartoons influenced by Shakespeare. The influence runs deep, and long ("...an 1846 cartoon depicting the then prime minister Robert Peel's resignation as the fall of Caesar... [to]... Morten Morland's cartoon of David Cameron as Hamlet gazing at Boris Johnson's skull, from 2016"). More.
We can't say we fully (or even partially) understand this review of Taming of the Shrew by the Russian Kachalov Theatre, but in the spirit of acknowledging Shakespeare's global reach, we put it forward here. Opaque though the commentary may be, it certainly seems like a visually arresting production. More.
The Guardian proposes that Leonard Cohen is to Bob Dylan, as John Donne was to Shakespeare. Discuss...More.
Tremendous article in the Financial Times detailing the possibilities and pitfalls in translating Shakespeare's works into Mandarin. More.
Isaac Butler, compares Lin-Manuel Miranda's Hamilton, with Shakespeare's Henry IV, part 1 -- (proper title: 1 Henry IV) in this complex but well reasoned piece for Slate. More.
This delightful article by Madeline White in the Brisbane Times provides the answer: provenance. These three words are very much part of today's English lexicon, but all three originated from the Arabic language. The point? That historically, the English language has proved very adept at incorporating elements from other languages into the vernacular - with Shakespeare in the lead as an arch-shaper of that language, and emoji as the latest digital import into English. Ms. White makes the case better than we can! More.
We here at The New Book Press can't resist the occasional Spoonerism. So, here 'tis! More.
Michael Crichton leaned heavily on Shakespeare's words when writing Westworld. What does it all mean? More.
Celia Imrie and Glenda Jackson in a rehearsal of “King Lear” at the Old Vic. Credit Manuel Harlan.
After a quarter century absence, two time Oscar winner and former English member of parliament Glenda Jackson will return to the stage this Friday, to play one of the most challenging of Shakespeare's roles - King Lear. More.
Leonard DiCaprio and Claire Danes in Baz Luhrmann's Romeo + Juliet
The Guardian re-reviews Baz Luhrmann's Romeo + Juliet on its 20th anniversary. More.
A solid review of Margaret Atwood's retelling and reinterpreting of The Tempest. More.
Shakespeare takes center stage in a novel intervention for children with autism. A new study from the Nisonger Center at The Ohio State University Wexner Medical Center shows children with autism had improved communication and language skills after ten weeks of Shakespeare classes.
A remarkable article on how Shakespeare's The Tempest is being used to help students with autism spectrum disorder. More.
A great article that looks at Shakespeare's writing through the prism of medicine - what he (and his contemporaries) knew about medical conditions, and where that knowledge came from. More.
From Wikipedia: A portrait, supposedly of Christopher Marlowe. There is in fact no evidence that the anonymous sitter is Marlowe, but the clues do point in that direction. Marlowe was 21 years old in 1585, when the painting was made. He was also the only 21-year old student at Corpus Christi, where the painting was later found.
New scholarship from the Oxford University Press suggests that Shakespeare had help from Christopher Marlowe when writing Henry VI, parts 1, 2 and 3. Corpus analysis helps solve the puzzle! More.
Long did, but famous in his time, he was more known for his vaudeville and broadway performances. As a not very helpful hint - he was born Joseph Yule, Jr.
Benedict Cumberbatch as Richard III and Luke Treadaway as Richmond prepare for battle. The power of oratory.