Part of the challenge in enjoying Shakespeare, is actually getting to see a good production. Theater critics therefore act as important gatekeepers for audiences, since with their practiced eyes (and professional obligation) they can not only steer audiences to better performances, but also provide valuable historical perspective to any modern production. But of course, critics differ (everyone's a critic, right?) so in this post we provide links to two reviews — one favorable, one less so — of the RSC and Christopher Ecclestone's current production of Macbeth. Seeing two contrasting reviews helps us further understand both the play, and audiences who consume those plays. In the unfavorable camp: The Daily Telegraph's Dominic Cavendish review. The favorable camps is represented by The Guardian's Michael Billington. Here is his review.