Shakespeare contests abound, and we love to see them pop up here in the US and abroad. This one caught our eye because of the winning passage, which came not from Hamlet, Othello, Henry V — but from The Two Boble Kinsman, certainly one of Shakespeare's least well-known and performed plays. So bravo to Jenna Burns for not only using a passage from that play…but winning with it as well!
Another production of Julius Caesar, reflecting our growing preoccupation with demagoguery and the virtues and perils of republics and democracies gone awry. Ben Whishaw, Michelle Fairley, David Calder, and David Morrisey all put in excellent performances, according to Guardian critic Michael Billington. The play is at the Bridge Theatre, an the set design has audience members be part of the mob.
Michael Axel, right, as Shagspeare, performs alongside Emilty Cady, as Judith, in "Equivocation," a play that imagines a
scenario in which Shakespeare has been commissioned as a government propagandist.
Bend, Oregon's 2nd Street Theater put on an original production, "Equivocation", examining whether playwrights should write about contemporary events, whether in polemical opposition, or as propagandists. An interesting fact that emerges from this review: Shakespeare and his contemporaries were forbidden from writing about current events in their works.
A seasoned (and quite amusing) Pittsburgh theater critic, Ted Hoover, cannot abide Shakespeare and his works. Among his pithier quotes on Studio 360: “If you had a lick of intelligence in your head , this play [Romeo and Juliet] wouldn’t happen. It only happens if you’re stupid.” Possibly... More. Oh, and NPR's Ira Glass also dislikes the bard…
A production photo of the Royal Shakespeare Company’s collaboration with Intel on “The Tempest.”
PHOTOGRAPH BY TOPHER MCGRILLIS / R.S.C.
Daniel Pollack-Pelzner reviews the RSC's production of the Tempest, and examines the limits of real-time computer effects blended with a live performance.
We can't say we fully (or even partially) understand this review of Taming of the Shrew by the Russian Kachalov Theatre, but in the spirit of acknowledging Shakespeare's global reach, we put it forward here. Opaque though the commentary may be, it certainly seems like a visually arresting production. More.
We here at The New Book Press can't resist the occasional Spoonerism. So, here 'tis! More.